Writing, building blocks, and what makes your voice special.

A journey can take few weeks, a week, or sometimes years.

This writing journey I’m on has taken me to the lowest places as well as the pinnacle of my thoughts.

I’ve dug through my life for little pieces of stories.

Each piece drips with memories of what where my life was, who was in it, and what music I was listening to.

I pull these pieces out my memory, smashing them together with the characters, and stories I create.

Each one is distinct, functional, and helps me get to the next part of this journey.

The journey, like the writing, never stops, it only pauses.

These pauses are where most of our memories come from.

They are the little glimpses of our childhood. The pain of a lost loved one, or the bitter disappointment of failure.

All of us know what these things fell like.

The way a hospital smells, how a campfire feels, and the way it feels when we’re in the throws of ecstasy with the one we love.

These are the building blocks of stories.

Sure, there can be monsters, aliens, or whatever, but all of them are drawn with the paintbrush of memory.

No one knows what it was like to watch someone die, not from how you viewed it.

Your view of the world is special because it’s your own.

Stories come and go but the way they make you feel or a reader feel, that’s the magic.

It’s exactly why I feel write what you know is bullshit.

It’s write what you’ve felt. Write what you’ve experienced.

Your life experience is what people want to know. It’s what makes us stay up until all hours reading.

It took me a while to understand these things, but now that I know them, they are my gospel.

Go on and live your life. Use it to influence your writing and take note of the little things in your memory. There’s gold in those thoughts.

Finding darkness, embracing it, and keeping going.

I fell down a rabbit hole recently.

It wasn’t too deep but it got me to thinking about darkness and how I deal with it, hell, how any of us deal with it.

Let’s start earlier.

Since I was a little kid I’ve always liked scary things. I was a vampire almost every Halloween as a kid. When I wasn’t, I was a werewolf.

As I grew up, I watched a lot of horror movies.

I saw Halloween when I was eight, Children of the Corn at about the same age.

Then my sister introduced me to Hellraiser.

Those movies are my go to for anyone who wants to understand me.

Watch the first three and you’ll understand me a bit better. Read Barker’s book, “The Hellbound Heart” and you’ll understand me more.

That erotic, bloody, torturous movie and it’s sequels helped me to find myself.

Now that I’m 43, I think about what type of horror drives me.

It’s visceral. Dark. Dirty.

Sometimes it makes me take a step back. That’s when I know I have something good.

When what I put on the page scares me. Then I have something good.

Pushing the boundaries is what we do. Especially horror writers.

I remember an interview with Stephen King about Pet Semetery. He said that’s one of the books he thought he went too far in.

But can you imagine that book changed? It would mess it up. That book scared the hell out me.

There are so many books where I thought a writer went too far but I can’t imagine the story without those scenes.

I strive to be a good horror writer because I love the dark. I’ve always loved it. Watching a horror movie gives me more joy than almost anything except my wife and kids, though the goods ones eclipse them too.

Reading horror is new to me.

Growing up, my father restricted me to certain types of books. I’ve mentioned this before.

But I would still pick up a copy of Fangoria at the bookstore.

I could watch horror movies when I was a kid, but the books were off limits.

In the last few years I’ve tried catching up on some of the classics. There are a lot of them and I’ve had to be picky.

But a good horror book or movie will always be my favorite. I’d rather watch or read those than anything else.

It makes sense for me to write that stuff.

I love it and it will always be what keeps me going.

Drafting, sobriety, and exercise issues.

I’m on week 2 of drafting. Week 3 of my new workout routine and started week four of being sober.

There have been hiccups in the drafting, that’s normal.

My new workout has kicked my ass and I’m not sure how long I can sustain its intensity levels.

The sobriety thing has been good. Sleeping better, mind clearer. You’d think that would help with my drafting but nope. At least not now.

I’m working on what I have in my head and what isn’t there has been the difficult part.

I wrote down what happens but I still have to write it.

I’m also going through the book I finished in June.

It’s been a pleasant and enjoyable surprise.

Have a good midweek.

When I found my voice.

There’s this often referred to mystical thing called voice.

It’s talked about in books, podcasts, hell I’ve even seen it referenced in movies.

There are many types of voices within a story. There is the narrative voice, each characters particular voice and then there is the distinctive voice each author gives to the story.

Some authors find it early in the writing career, others keep going and find it after writing 9 books.

It’s taken me to the latter of these.

It was never explained to me what this voice means. It’s difficult to explain.

The only way I can describe it is like this.

When you read a Stephen King book, you know it’s King by his description, by his character creation and the way he handles his monsters.

The same goes for any author. Neil Gaiman is another.

You know his work by the mood he sets in his books.

There is a moodiness or vibe to all of Neil’s books. I’ve loved his writing since Sandman. I’ve read a lot of his books. Anansi Boys is my favorite.

With every author you know that author from how they construct, how they build, how each of their stories flow.

This is what your voice is. I can’t tell you how to find it, only that you will.

You’ll discover it while reading one of your stories. You’ll set it down, step back and wonder when it happened.

It will happen, but you have to keep going to discover it.

When it does, you’ll understand why, and you’ll also understand why other stories didn’t work.

You’ll find it. Keep writing.

When we know what works and what doesn’t.

For the last three weeks I’ve been trying to outline.

I’ve read through the books I have on the subject and the ones I have about beat sheets.

This week I reached a point where reality smacked me in the face. I stared at what I had and tried to write from the outline, then it started to go in another direction.

This is what always happened when I was writing into the dark. But I know this story.

I wrote it as a short story last year. I always wanted to turn it into a novel. My writing group didn’t like the story. It was too dark, too disturbing.

I think that’s why I wrote the fantasy novel.

They write fantasy and sci-fi, I’ve said how much I struggle to write in those genres.

But they didn’t get the story, they don’t read horror.

I was trying to placate them, but in doing that I stopped doing what I enjoyed, horror.

But back on track to the point of this.

I’ve tried really hard over the last three weeks to pull this off and the writing is terrible.

It feels stilted and boring. And the biggest thing of all, I haven’t been having fun.

I usually enjoy my time in the chair. The last three weeks felt like torture.

Yesterday, I wanted to try something out.

An experiment if you will.

I started writing, putting the outline away, and I busted out a bunch of words and it was fun.

I understand I write this way for a reason. It feels comfortable and I don’t worry about sticking to an outline.

I know this story, so maybe that’s why I’m having an easier time. I know what happens and when. I know the ending, understand the characters and love the scary parts.

When I get a new idea maybe I’ll outline that, but for now, with this story, I’ll write it like this.

I also realized that it hasn’t been the drafting part I’m horrible at, it’s the editing.

I even asked questions on Reddit about it.

Understanding where my writing fails is important. It gives me something to work towards. It allows me to improve.

I write into the dark, discovery write, or pantsing because that feels most comfortable when I’m drafting a story. But when it comes to editing, I suck.

Now I know the problem and I’ll be working on fixing it.

These last three weeks also took me back into the pit of depression. That’s a place I’ve fought to stay out of.

I’ve been stressed over this outline business more than anything in a long time. Now I’m moving forward, my way, because I have to.q

Have a good weekend and I’ll see you Monday.