What truly scares you?

While I’ve been actively working on this rewrite I’ve thought about fear, judgement, and what really scares people.

When I was a kid I had a recurring dream about my Aunt’s basement. There was a coffin at the bottom and all of this smoke. When I reached the coffin a ghoul would pop up and I’d wake up screaming.

Being stuck in a place, with nowhere to go or worse, being stuck and unable to move are the worst things I can think of. I’ve had night terrors for years and used one of them to write a story in my collection. Most of what happens in one of the stories is completely true.

I find that writing horror allows me to tap into those fears. I use it well enough that my wife has asked if I’m okay while she’s reading drafts.

We’ve talked about what scares her and I’ve used that in stories, because she is the first person to read my stories. I also think about what would have scared me in my teens or twenties and incorporate that.

I’ve read a lot of books over the years and while some of them are very odd, I’m looking at you House of Leaves, the also make me think about different aspects of fear. House of Leaves does that with the Navidson House and Johnny Truant. Spoilers ahead for House of Leaves.

With The Navidson House is the fear of something outside our reality or outside what we understand. With Johnny it’s about a descent into madness.

Both of these sections of the book messed with my head. And thinking about the book in that context, I really enjoyed it.

We find ourselves writing things that scare us, our family members or who we were at one point in our lives. It takes a lot to scare me anymore. I’m very desensitized when it comes to horror, but there are limits for me. I don’t like when kids are hurt. The Girl Next Door did a number on me. It was a difficult book to read. The writing is so good you feel complicit. But I’m running away from the topic.

I’ll talk more about fear on Wednesday.

There is a bit of transference…

I’m going to continue on this tangent about books.

I’ve dropped reading Horror for a little while to work on my craft. I’m finding that when I read better writing my writing improves. I’ve ignored this for a while as I knew it happened, as it’s happened before, but I really like horror.

My current read is The Brothers Karamazov by Fyodor Dostoevsky. While reading it I’m realizing a few things about my own writing as well as ways to improve my craft. These things have to do with paragraphs and how to structure them. The problem is I’ve written a blog for so long that what I do on here flows into my other writing. The short clipped sentences you’re “supposed” to use in blogs made their way into my novel writing.

When I discovered this I knew I had to change a lot of my writing. The latest rejection told me that there were a lot of single-sentence paragraphs, which I knew came from my blog writing. I will be adjusting this and you will see that adjustment. I’m trying to get the length correct and keep to one idea within each paragraph. I’m aware this is how paragraphs should work but the way I used to right created problems and I’ve fixed them along the way to where I am. These adjustments took time to break and I’m still working on them.

Now I love horror, but sometimes the language and the structure isn’t as good in horror as it is in other fiction. There are writers whose prose baffles me. I’ll look at some writer’s work and think, “damn I can’t do that.” Afterward, I think, but I’m going to work on it until I can. That is my goal in this art, to get better.

I know this is a bit different for me, but I’ll continue to write on this blog, it may come across a bit different as I work on my craft issues. I hope you’ll stay as adjustments are made.

Fear of the Classics

I have a problem, it’s with classics but not all classics just some of them.

I’ve read, Frankenstein, Dracula, most of Lovecraft, Alexandre Dumas, and I love Algernon Blackwood, Dum. The Willows is one of my favorite stories I’ve ever read.

But there are others that I have trouble with; Dostoevsky, Faulkner(not all of them), Melville. I know that I should read them and enjoy them but I don’t. I have tried reading Crime & Punishment at least 10 times, but on the last read, I quit. I can’t read that book.

I wish I knew why I have this trouble, but I’ve narrowed it down to fear.

What if it’s amazing and I wished I’d read it earlier. I feel that way about Frankenstein and a few others, but they’re either sci-fi or horror. It’s the literary classics I have trouble with. It’s not the way it’s written, it’s the fear that I’ll either hate it and feel like I’ve wasted my time on it or I’ll love the hell out of it.

This comes in many ways to me. I am going to read a bunch of classics this year and my current read is ‘The Brothers Karamazov’. I know it’s Dostoevsky, but I want to read it for my own reasons. These books are part of my learning as a writer and while I hope to enjoy them, there’s that fear I won’t.

It’s the whole I’m not good enough to do this writing thing. What if I read something and I feel I’ll never accomplish that grandiosity of what I’ve read? This came to me a lot in the early days of writing but hasn’t been raising its nasty little head lately.

I don’t know how to get past all of this other than keep reading, keep writing, and ignoring the voice in my head, so I’ll ignore it and read all these books.

This started as a conversation between my wife and me. I bought Don Quixote recently and she was surprised I’d never read it. I told her it’s one of those books I was afraid to read for all of the reasons I stated above.

Anyway, read what you like and don’t let that voice screw it up for you.

Comes a time…

I wrote a lot of blog posts last week while in isolation. I started the rewrite for a story I mentioned in this post and I’m moving forward.

I’d had an issue with a certain part of the story. I thought about that story through the weekend and found some new ground within its borders. I figured out how to make it work while incorporating a story I wrote a few years ago into its borders.

The story itself ran into difficulties while I wrote it and I came to understand there was something missing. A larger story was missing and the novella will be novel.

I’m making an effort to take it slow with this story, something I talked about on Friday.

I’m also doing something that felt odd until I noticed an improvement while doing it.

I see places in my head but can’t get them down as well with my eyes open. It’s only when I close them that I see the story better, so I’m doing that.

When I sat down to write this morning the words came darker, more evocative of what I want for the story. They’re better words and I’m sure my patience with the story is helping a lot with that. Patience isn’t always my strong suit. I’m always in a hurry to get to the next story, but I’m going to slow down. Take it in smaller steps to finish this one.

The incorporation of this short story into the larger frame of the novella adds more to the story and while it makes it darker it also changes one of the aspects of the story I didn’t like as I mentioned above.

There are many aspects of this story I love. The main character and what he’s dealing with are the biggest as I can relate to some of it.

We find ourselves in our stories often. Sometimes it’s little things, this is a bigger one for me.

I’m hoping to submit it later this year. I have four other projects out on submission and I hope to hear something about them soon. I’ll let you know when I do, but for now I’ll keep working on this one. If you’re curious, here is the playlist on Spotify for this one.

Happy writing.

Coming to grips with something…

I have written 11 novels, 4 novellas over a hundred short stories and where am I?

Of course I have the collection on Amazon, that is on KU right now. I’ve sold enough for a good cup of coffee and maybe a bagel.

When I woke up this morning, thinking about rewriting sections of this novella I knew that something needs to change.

I blow through stories to quickly. I don’t think them through as much as I should. I’m in too much of hurry to get them done. And when it comes to editing, I do that but can’t afford a real editor. It’s not financially feasible for my wife and I.

I rush into things because I want to say I’ve written this many novels but where are they? Can they be purchased in a book store? Online?

I know I can write. That’s not the issue. As I said yesterday, it’s execution. It’s the editing. It’s going through the draft and figuring out what I’ve done right, and wrong. That’s where I come into problems. And they’re not huge problems, just ones that I have trouble navigating. I would kill for an editor to help me get past this stuff but as I said, there’s no money for it.

Writing these books gives me enjoyment. I love the process and it’s why I continue to write, but having written as many books as I have with nothing to show for it is maddening. It’s not like they’re all first drafts, but some are. Others are on their fifth, some on their tenth, yes 10th draft.

I hurry into stories. It’s a problem and it’s one that I’m going to work on this year.

I don’t plan like I should. I don’t take my time. I’m in too much of hurry to get them done. I thought that’s what I was supposed to do. Write a lot, edit, send it out and wait. But when you’re always chasing what’s next you’re too focused on what’s next that you forget to go slow on your current project. Therein lies the problem.

I will take stories slower. Take my time editing. Do better at constructing each story.

I have a subscription to MasterClass and I’ve watched David Baldacci’s class numerous times. When he talks about his process, he says it’s changed over time and it will probably change as he continues to write.

My writing and how I approach it has to change. I can’t write another 11 novels and not have any of them published.

I have three short stories out and one novella out currently and want them to get published. I need to focus on taking my time this year. How many times have I said that in this post?

Coming to grips with this has been difficult and it’s my job to fix this.

I hope you’ll come along for the ride.