Fear of the Classics

I have a problem, it’s with classics but not all classics just some of them.

I’ve read, Frankenstein, Dracula, most of Lovecraft, Alexandre Dumas, and I love Algernon Blackwood, Dum. The Willows is one of my favorite stories I’ve ever read.

But there are others that I have trouble with; Dostoevsky, Faulkner(not all of them), Melville. I know that I should read them and enjoy them but I don’t. I have tried reading Crime & Punishment at least 10 times, but on the last read, I quit. I can’t read that book.

I wish I knew why I have this trouble, but I’ve narrowed it down to fear.

What if it’s amazing and I wished I’d read it earlier. I feel that way about Frankenstein and a few others, but they’re either sci-fi or horror. It’s the literary classics I have trouble with. It’s not the way it’s written, it’s the fear that I’ll either hate it and feel like I’ve wasted my time on it or I’ll love the hell out of it.

This comes in many ways to me. I am going to read a bunch of classics this year and my current read is ‘The Brothers Karamazov’. I know it’s Dostoevsky, but I want to read it for my own reasons. These books are part of my learning as a writer and while I hope to enjoy them, there’s that fear I won’t.

It’s the whole I’m not good enough to do this writing thing. What if I read something and I feel I’ll never accomplish that grandiosity of what I’ve read? This came to me a lot in the early days of writing but hasn’t been raising its nasty little head lately.

I don’t know how to get past all of this other than keep reading, keep writing, and ignoring the voice in my head, so I’ll ignore it and read all these books.

This started as a conversation between my wife and me. I bought Don Quixote recently and she was surprised I’d never read it. I told her it’s one of those books I was afraid to read for all of the reasons I stated above.

Anyway, read what you like and don’t let that voice screw it up for you.

Coming to grips with something…

I have written 11 novels, 4 novellas over a hundred short stories and where am I?

Of course I have the collection on Amazon, that is on KU right now. I’ve sold enough for a good cup of coffee and maybe a bagel.

When I woke up this morning, thinking about rewriting sections of this novella I knew that something needs to change.

I blow through stories to quickly. I don’t think them through as much as I should. I’m in too much of hurry to get them done. And when it comes to editing, I do that but can’t afford a real editor. It’s not financially feasible for my wife and I.

I rush into things because I want to say I’ve written this many novels but where are they? Can they be purchased in a book store? Online?

I know I can write. That’s not the issue. As I said yesterday, it’s execution. It’s the editing. It’s going through the draft and figuring out what I’ve done right, and wrong. That’s where I come into problems. And they’re not huge problems, just ones that I have trouble navigating. I would kill for an editor to help me get past this stuff but as I said, there’s no money for it.

Writing these books gives me enjoyment. I love the process and it’s why I continue to write, but having written as many books as I have with nothing to show for it is maddening. It’s not like they’re all first drafts, but some are. Others are on their fifth, some on their tenth, yes 10th draft.

I hurry into stories. It’s a problem and it’s one that I’m going to work on this year.

I don’t plan like I should. I don’t take my time. I’m in too much of hurry to get them done. I thought that’s what I was supposed to do. Write a lot, edit, send it out and wait. But when you’re always chasing what’s next you’re too focused on what’s next that you forget to go slow on your current project. Therein lies the problem.

I will take stories slower. Take my time editing. Do better at constructing each story.

I have a subscription to MasterClass and I’ve watched David Baldacci’s class numerous times. When he talks about his process, he says it’s changed over time and it will probably change as he continues to write.

My writing and how I approach it has to change. I can’t write another 11 novels and not have any of them published.

I have three short stories out and one novella out currently and want them to get published. I need to focus on taking my time this year. How many times have I said that in this post?

Coming to grips with this has been difficult and it’s my job to fix this.

I hope you’ll come along for the ride.

Rejection, rebirth, rewrite, reconstruct

I find the time that when a rejection comes in I struggle the most with this writing thing. I’m sure it’s the same with everyone. When a rejection comes in that is constructive I analyze what’s wrong with the story, according to the feedback.

Sometimes it’s the same feedback my wife had recently given me, which helps and certainly hurts as well.

After I’ve gone through the draft I see the instances they’re talking about. The after effect of this stings, but it makes me better.

There is a part of this process of analyzing the draft that feels different. It’s when I’ve read it and realize where I can fix the story. Where I can adjust it and where I can do away with parts of the draft. This is the rebirth of the draft. It becomes a new draft in this instance.

A rewrite and possible reconstruction of the draft follows this.

This is when the heavy lifting begins.

This all led from a great rejection I received. Yes they do happen.

I’ve decided to put all my other projects on hold until I can get this story that was a novella, but I’m going to stretch it out into a novel.

The story is kind of personal and I want to make it better. I wrote the first draft a couple of years ago. It’s now on the fourth or fifth draft. I lost it once and almost gave up on the story entirely. When I found it I almost cried. There are moments of joy in writing and that was one of them.

I am enjoying writing on here every day. I’ll continued to do it since I’m isolating after my positive test. Monday or Tuesday, if I’m showing now symptoms will be my last day.

Back to reconstructing this project.

In the way

it comes in rainbows and somersaults. the way through to the escape hatch has been blocked. the entrance, a small window of light, the exit a blood filled pool, contains and taints us all. I see the ripples of the pool and run to the side. It never ends. the slipping, sliding of the sloshing pool under my feet as I slip in the mud and there’s more than that, but my vision is clouded with the rain of blood coming down. I see the randomness of the dark. The feeling of it pulling into my soul. the world slips. the ground rips and I’m there, standing at the shallow end of the blood filled pool. The spigot has run dry and I don’t know where I’m going and I feel like I’m in the way.

What horror and fear mean to me

I am a child of the ’80’s. I watched Nightmare on Elm Street on VHS, saw Freddy’s Dead in theaters with the 3D glasses, and horror was my escape.

I was home alone a lot and staying up late watching scary movies on HBO was my favorite thing. My mom jokes about me watching Children of the Corn and Halloween and how it didn’t scare me much. I think it unnerved her that it didn’t scare me, which I understand.

But for me horror has been something I’ve always gravitated towards and while I’ve talked of the reasons on this blog, I’ve still never narrowed it down. I’m sure it has something to do with dealing with trauma. There was plenty of yelling and screaming in the house before my parents divorced in ’85. That yelling and having one parent belittling me constantly about my weight left scars that will always be there.

I have a couple of stories that deal with that stuff that I’m shopping around, but I may hold onto them for something else.

When I was a kid I knew that I wouldn’t make it past 40. I don’t know why I knew this, but I did. Now I’m 45 and after living with that for so long everything is easier. I was worried the whole year leading up to 40. Anytime I was in the car I felt unsafe. It was a weird feeling to believe you would die. I was completely absorbed in the concept, though I never told anyone.

There are other things that I think about going back to my childhood that float around in my head, but that’s a bigger one.

When you believe you’re not going to make it past 40 you don’t try that hard beforehand, at least I felt like I didn’t.

Today I feel like I’m working harder to make something of myself because after believing you’re going to die at a certain age, things afterward are different. You look at life in a certain way. Nothing that happens, even today as I sit in the bedroom isolated from my family, none of this feels hard and while I’m pissed that I got Covid, it’s just another thing to get through and I’m okay with that.

I was a horror movie fan long before I started reading horror. My first experience with reading horror was King’s Nightmares and Dreamscapes and Four Past Midnight. I got them from my big sister and while I loved them, I didn’t read any horror for a while after that.

There was always a stigma around reading horror, especially growing up in Utah. If you read horror there was something wrong with you mentally. I’ve read quite a bit of King since and other older authors like Algernon Blackwood, Lovecraft of course and I’m making my way through the shorter fiction of William Hope Hodgson, Guy De Maupassant, and F. Marion Crawford.

I told myself I would read more classical horror, authors of color, and those in the LGBTQIA+ community this year. I have few books by authors in those categories as well but I’m always looking for recommendations.

I’ll leave you with this. No matter how hard things are I’ve always found peace in reading and watching horror. Fear is not the creature in the woods, the killer with the knife, or anything else. It’s the tricks your mind plays on you when you’re trying to get through the day.