Gears are changing

As with everything, writing changes.

I’ve kept a close eye on the sales of my books through this year. I’ve sold 21 copies of my books this year. Most of them are in Ebooks, but it’s not the number but which books are selling better than others.

My thriller, Disunion By Force, sold more copies than my horror novel and while it’s close, the various places its sold around the world is the most interesting thing. I’ve sold copies in places I never thought I would. India is one of the newest places.

I’ll continue to write horror, but only short form. I work better with short form horror than I do with long form. I’m able to get the conciseness of it down while long form feels like a slog.

As for thrillers, I’ll be writing those in long form. I have two that I’ve started but put away for one reason or another, mostly because of I’ve doubted myself. The writing holds up with those thrillers. I have one at 39k that I’ll be working on through the end of the year.

After discussions with my wife, I’ll be focusing on the thrillers, though I have a story coming out in November for the Utah Horror Writers yearly anthology. You can help with the Kickstarter.

I will continue to review books. I am considering a pseudonym for my thriller novels. I had one before and will probably use that going forward.

I have to head to work and I hope you enjoy your day.

Review for Staircase In The Woods by Chuck Wendig

As I’ve said in my other reviews, I try to find a common thread in them. I want to connect to the stories personally. Sometimes, I can do that easily; sometimes, I can’t.

Chuck Wending is a favorite author. Wanderer’s is a book that my wife and I devoured in a week for me and a few weeks for her. It got us through lockdown in 2020 and everything that year threw at us. It’s a big book about a virus.

Utah experienced a lot of growth in the 1980s. New subdivisions sprouted up overnight, and many were left unattended for days. They became playgrounds for my friends and me.

Half-finished staircases lead to empty floors—kitchens without their floorings.

Among all of this was a staircase that was by itself. It was like that for a month or more. I don’t know why they stopped building. It’s a finished house, but forty years ago, it was a monolith that we’d jump off of. We’d launch our bikes and come down hard on our seats.

While reading Staircase in the Woods, I thought of those days of freedom—of being us, with no parents to avoid, and me and my friends having fun.

I received a copy from the publisher because I reviewed Josh Malerman’s Incidents Around The House. I thank the publisher for trusting me with a book that will be released in April 2025.

This book begins with events that happened years before. We discover the incidents leading to the event and how they changed the group.

We learn a lot of dark things as these friends look for one of their own who vanished years before on a staircase in the woods. One of them decides they need to find out what happened.

SPOILERS INCOMING

I try not to do spoilers in novels; it’s nearly impossible with this book.

They get through a portal similar to the one their friend vanished in. They soon discover the world inside the portal is different. It’s dark, disturbing, and nightmarish, giving me feelings of House of Leaves throughout the reading. The Navidson Record is in place throughout the story, or it felt that way to this writer.

It’s a story about discovering the darker parts of yourself. Confronting those parts, those shadows, the things you’d rather not talk about. The childhood lost because of abuse, both mental and physical.

The book finds its footing quickly when we enter the portals, and the characters move through the world. At once, they adjust and modify their way through. In the book’s latter pages, it’s a dangerous game of cat and mouse as they search for a way out.

When we reach the end, each character has learned more about themselves and their friends.

This is Chuck’s darkest, most visceral, and messed up book I’ve read.

It’s also one of my favorites. I’m looking forward to the world reading this one and discussing it and the characters’ experiences.

It’s made me look at what I’ve been able to let go of, what I continue to hold on to, and whether it’s healthy to do so.

There will be discussions about what occurs in this book. They will cover many topics.

I loved this book, and I’m thankful the publisher gave me a copy. Thank you to Random House and Kay Popple for the offer.

Review for Kill Your Darling by Clay McLeod Chapman

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Every parent thinks about what they’d do if they lost their kid. When they’re babies, we worry about whether they’re breathing in their cribs. When they’re toddlers, they get quiet in their rooms. We run to their room, and they’re usually asleep in a pile of toys or stuffed animals.

We lose sight of them when they get older, and we walk around the store. All the thoughts run through our heads. When they get to be teenagers and start driving or hanging out with friends, hell, in America, we worry about them not coming home at the end of the day because of a shooting.

That latter part is an everyday worry for me.

: SPOILERS AHEAD :

In Clay’s story, he takes the idea of losing your kid to violence and does a masterful job of following Glenn, our protagonist, through the stages of his life. Also, through the stages of grief.

Glenn feels the police have failed him and his son in discovering how he was killed.

His boy was left in a dirty, empty lot as a teenager.

Over the years, Glenn has done research and called whichever detective was assigned to the cold case, but he had a breakthrough when his wife urged him to join a writer’s group.

Glenn writes a story about his son’s death and how he believes it happened.

When he presents the story to the writer’s group, it begins a fracture in a community he believes hid the truth of what happened to his son. Glenn learns he didn’t know his son as well as he thought.

The heartwrenching ending for this book is brilliant, and I believe it captures the book well.

Glenn is looking for one last connection to his son. He finds it in writing the book but also in learning the truth about his son’s death.

It’s a magnificent ending, and as with all of Clay’s books, it will pull on your emotions.

I finished this book at work, and while it was a slow day behind the bar, I had to keep myself from crying.

We all think about how we’d handle the loss of our kids. Clay orchestrates a great story about loss, grief, and understanding that once our kids get older and have their own lives, we don’t know who they are.

We try to understand them as they grow older, and the best we can do is be there for them as they move through the world. Listening to them is essential.

Review for The Witches Of El Paso by Luis Jaramillo

With every review, I try to connect myself to the words on the page. This time, I did that, but it’s a bit different from my other reviews.

My maternal grandfather grew up in New Mexico. He spoke Spanish, he had an eighth-grade education, and like most of his generation, he worked his ass off.

He worked for Union Pacific for years when my mother was young and took trips with him to San Francisco for railroad things. His family, growing up, was very poor. I’m relaying this from what I know. His last name was Jaramillo. I knew him as a man who worked and cared for his family.

When I started this book, I related to the author’s last name. I know it’s a common name. I thought of my grandfather and the environment he grew up in. I knew it was similar to the one that Nena had.

There were so many instances while reading when I thought of my grandfather. I had to put that aside a few times to focus on what I was reading.

The elements of witches within the book and the environment around the life in the book are essential.

Marta is like many women trying to make a life for their family. She wants to live her life, but her grandmother lives with her, and there’s something about her aunt that she can’t understand.

As we dive deeper into the story, we understand the connections as we shift from Nena’s story, where she travels back in time, to Marta’s. The connections between the two are done very well.

Marta is trying to save lives in the present day, and Nena is attempting to save lives as she existed in the past.

I enjoyed this book. Marta is such a wonderful character. Nena reminds me of my grandmother, who was married to my grandfather. She wasn’t a witch, but she knew many things that could be construed as such. I enjoyed how everything came together in the end.

I would like to know what happened to the lawsuit in the book. I was a bit invested in it and hoped it would be told.

I think my grandfather would have enjoyed this story.

Review for Horror Movie By Paul Tremblay

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I write my reviews a bit differently than other writers. I try to find a comp book. I beat myself up while reading this one over it. Then, toward the end of the book, it hit me.

I read Grin Of The Dark By Ramsay Campbell a few years ago. I came to my horror journey late, and it was the first book of his I had read. It’s a weird book about a man searching for a film he remembered. It is a story about a clown who once existed. As most of Mr. Campbell’s books do, it takes some dark and surreal turns.

It’s still one of my favorite books. This trope of found footage is done all of the time in books. Kiersten White’s Mister Magic does it very well. That’s also one of my favorite reviews.

The Horror Movie feels like a bit of The Blair Witch, maybe some of Hell House LLC and other found-footage books and movies. But Mr. Campbell’s book was my first introduction to this in a novel, at least where it’s done well.

I often looked back at my memories of Grin Of The Dark when it clicked. It’s done so well and has a different take on the sub-genre that it blew me away.

I said on Threads, “You all are not ready for this book.” I stand by that. Having read all but two of Paul’s books, this felt different. Maybe he was experimenting a little, testing a few new things. It’s nothing like Cabin or Head Full Of Ghosts.

I feel this is Paul Tremblay trying out a few new things. I can’t get into them without spoiling so much of a great horror novel. The found-footage aspect of this story isn’t so much in your face as it is in Mister Magic or movies like Blair Witch or Hell House LLC. It’s a more subtle take on the genre itself.

I was uncomfortable a few times while reading it. That goes to the author’s ability to craft such a fantastic piece of art.

It’s an uncomfortable story about a kid who experienced something terrible while filming a movie when he was younger. The story then revolves around that kid working on a remake/reboot of the film that was never finished. Some aspects of the story are out there. It’s a great story, and I’ll purchase one on day one.

Paul is one of my favorite authors, and while not all of his books have hit it out of the park for me, this one did.